Showing posts with label dance. Show all posts
Showing posts with label dance. Show all posts

Wednesday, January 18, 2012

Future Music: 3 Performances you MUST see!!

I was bored waiting on a doctor's appointment and while looking up music videos, that all seemed the same, I stumbled upon some innovative musicians you've likely never heard of who may be pioneers in the future of the music. I did some more digging and found three great performances that MUST be seen. Even if you don't like the music, considering what they're doing while they're making the music is mindblowing!

Enjoy!










Wednesday, October 13, 2010

Dance, Death, and Drama: Ballet in Film

From my oldest memory I have loved ballet.  I remember being three years old and making my dad put my hair in sponge rollers so that when I took them out I could dance like Shirley Temple. I especially loved the ballet part in The Little Princess.  I had posters of ballerinas, scores from ballets, and then there were the movies.

These movies make me think of the ballet studio that is one of my comfort places in memories from my childhood.  The smell of the sweaty satin on the toe shoes, the resin box in the corner, freshly washed pink tights, all the pretty girls standing at the barre, arms in arabesque, the record player hissing as the needle bumped and skipped over the grooves.  It would be daylight when I went into the lobby with the other girls, their hair in soft buns, giggling softly waiting for the little ones to come out of the studio.  We would talk about school, getting our driver's licenses, what we were dressing up for on Halloween.  But our hearts were always on pause, and they remained that way until the studio door opened and it was our turn.  Freedom, dreams, hopes, grace, and beauty.  We would emerge from the bright flourescent lights of the studio to the darkness of the world outside that had kept turning, unnoticed, while we danced.

I will always have a soft spot for ballet in movies and below (as well as cross-posted on my all-but-defunct movie blog) are my top 5, in honor of Black Swan, which I am very anxious to see.


1.  The Turning Point (1977)-  Directed by Herbert Ross, this movie stars Shirley MacLaine as a former ballerina who gave up dancing to marry and have a family.  When her daughter, played by ballerina Leslie Browne, decides to persue a ballet career, her mother must face the life she left behind and the jealousy she feels when her daughter is taken into the studio of a former friend who gave up the option of a family to stay in ballet.  The part of the daughter was auditioned for by Gelsey Kirkland, who was in the same company with Leslie at the time, and in a short-term relationship with Mikhail Baryishnikov, who portrays the Russian defecting danseur who woos Leslie Browne's character (and also did in real life, according to Gelsey Kirkland's autobiography).  The music is beautiful, Shirley MacLaine who was a dancer in her own right was magnificent, and the ballet (the focal point of the movie) is entrancing.

I saw this when I was a young teen and dreamed of being a ballerina myself.  Several of the dancers from my studio got together and drooled over it on many occassions.  This will remain in my heart as my number one ballet movie because of the mirror of real events in Baryshnikov's life at the time, and the whirlwind of Anne Bancroft and Shirley MacLaine together.



2.  Red Shoes (1948)-Directed by Michael Powell and Emeric Pressberger, The Red Shoes is loosely based on the Hans Christian Anderson fairy tale of the same name.  In the movie, which uses beautiful sets and camera effects to stunning results, Moira Shearer plays a ballerina who gets her break when the studio owner is forced to put her in the limelight as replacement dancer.  He creates the ballet The Red Shoes just for her and begins to force her to choose between ballet and her lover, who is trying to force her to make the same decision.  A true tragic romance.

The classical ballet in this movie is lovely.  There are some very ethereal effects for the time.  Costumes are breathtaking.  I feel that some of the issues that plague the dancers in this movie are less timely than the ones in The Turning Point, which is one reason that this movie is 2nd on the list. 



3.  Suspiria (1977)- Directed by Dario Argento, Suspiria is a true ballet horror.  Dario Argento.  Joan Bennett, Udo Kier, blood, knives, nooses, witches and ballet.  What more do you need? I was about six or seven years old when I saw this movie and even this could not keep me from longing to dance!

4.  Ballet Shoes (2007)-Directed for TV by Sandra Goldbacher, Ballet Shoes stars Emma Watson, better known as Hermoine Granger.  Three orphans are adopted by an eccentric explorer.  Their only worldly possessions were ballet shoes.  With these shaping their destinies, the girls enroll in dance in London in the 1930s.  This movie has a beautiful, holiday feel to it, as lives are shaped for the good, families are created, and dreams are realized.  Made from the young adult novel by Noel Streatfeild, Ballet Shoes is one that I think will become a new Christmas tradition for my family.


5. The Company (2003)-Directed by Robert Altmas, The Company is a rather light-material film centered around a ballet company.  There are some scenes that will look familiar to dancers, like the ones showing the dancers all crashing together in one person's apartment, the injuries, and the jealousies.  Overall, it is not a great film, but my favorite Altman.  Part of the reason I don't rate it higher is Neve Campbell.  At any rate, the dancing is nice, it is just more modern than I usually prefer in a ballet.  I do love the dancing in the rain sequence that is just marvelous.  That scene keeps this one on my top 5 list of ballet films.  There are also great performances by an ensamble cast including Malcolm McDowell, James Franco, and William Dick.

These last two are honorable mentions simply because number 6 is a short film that isn't entirely about ballet, and number 7 is...something indescribable and not recommended but included because they should be applauded for whatever it was they attempted to do there.


6.  Box  -Directed by Takashi Miike, this short film is one of 3 in the Three Extremes.  The surreal story of twin ballerina/acrobats who are raised by their step-father, choreographer, boss, and lover (?), Box is one of the most beautiful films I've ever seen.  With magnificent use of color, metaphore, horror, and suspense, the tale goes from something quite simple (sibling rivalry) to ghost story to WHAT THE HECK?? in the span of only 40 minutes.


7.  Dracula: Pages From a Virgin's Diary (2002)-Directed by Guy Madden, this is a....movie....ballet?...long, painful, comically serious rendition of Dracula made to look like a 1920s silent film.  Mostly in black and white, and with horrendous effects, the movie takes itself entirely too seriously, attempting to be a high art film, or a cult film like the Call of Cthulhu that made much better use of this style of film-making.  I did not get through the entire thing, regrettably, and the movie was not mine, thank goodness, so I will not subject myself to it again, but a glimpse is all one really needs of it.  But if you can watch the first 20 or 30 minutes, it is good for a big laugh.  The dancers are good, to their credit, and the lovely Asian Dracula dances his little heart out!

Monday, October 11, 2010

"Equal, Not Special"

I read in the Lake Charles American Press a week ago about an amazing young woman.  I felt so inspired and so touched by  her story that I wanted to write about it. 

When my sister was around three years old, in 1988, I often dreamed of having her at the dance studio where I took ballet, tap, and jazz dancing.  Or cheering like I did.  Or maybe playing in the band (which I wanted to do but didn't).  But we were lucky to keep her shoes on her feet, get her to sit still during the hymns at church, and not run off down other aisles at the grocery store.  She was born with Down Syndrome, and in the 1980s, they were still telling people that these children would not live to see twelve years old and were not fit to keep at home. They were encouraging people to commit their Downs children to asylums or homes.  Not everywhere or every doctor, of course, but a lot of them, including ours.

We knew a woman who had a Downs daughter a good bit older than my sister who said that she had dreamed of having a daughter to put in beauty pageants and dress up in pretty dresses and put in dance classes. I assume that these types of disappointments (and they are disappointments, no matter how beloved the child is and how irreplaceable; for nine months you dream of what your child will be like and then you have to lose those dreams and find new ones) were easier for my parents, who already had a daughter in beauty pageants and dance classes and all those other types of things people want for their little girls.  But there was no reason these two young ladies could not do those things.  It was the limitations of the parents and, in the case of my sister, of the child's unruly personality.

There was not much for kids in my area.  We had the typical little league, dance classes, piano lessons, and school activities.  Nothing extraordinary or different, not even gymnastics.  There was less for children with exceptional abilities.  An article in the Lake Charles American Press described another young woman who felt deprived by her environment.  Rhonda Guidry, a woman with Down Syndrome, played buddy ball as a teenager, which was one of the few activities for these young people available.  She felt frustrated that there was not more that she could get involved in.  She did something about it.  Thanks to her hard work, her dream has come true for all children with disabilities throughout Louisiana.

Rhonda Guidry runs the Buddy Sports and Arts Program, a non-profit organization that provides ballet, cheerleading, all manner of ball sports, skiing, beauty pageants, and social opportunities for people with exceptional abilities.  The services are free for everyone to participate.  Everyone plays at every game. There are no weeks of practice followed by game after game of sitting the bench.  My son sat the bench in nearly every t-ball game one season because he and his friend were the youngest kids on their team, and therefore the smallest.  And he is not a handicapped child.  Seems to me that regular sports could take a lesson from Buddy Ball and ensure that everyone who comes to play has equal opportunity and equal fun.  Afterall, those boys who played every game on the 5 year old team have no better chance of becoming a New York Yankee than my son does.

Everyone who signs up dances, plays, cheers, participates at every single event.  Everyone wins.  There are no outs, no fouls, no screaming, cursing parents in the stands who take out their own sense of failure on their children.  Hearts are opened, eyes are dampened, laughter rumbles, and memories are made.  Participation for the love of the game is the order of the day.  Activities are adapted to the abilities of each person who participates so that everyone is accomodated.

No one should hide behind embarrassment, shame, or fear.  Safe, enclusive activities for those of us who are least judgmental, most loving, and most appreciative should be supported by everyone.  Dallas Cowboys, LSU Tigers, Saintsations Cheerleaders, and other big-name sports groups recognize this and participate in games and events with the Buddy sports athletes.  If you are interested in the annual Fall Ball fund raising events or in volunteering, the link above will take you to a website.  I also have a phone number on hand if anyone is interested and wants to contact me for it.  Look it up in your state.

We all get involved in our own activities and achievements.  I think we should take time out now and then to celebrate the abilities of others and help provide a lasting joy to people who deserve it.

Kudos to Ms. Guidry who has taken her life and decided to do something exceptional with it!