From my oldest memory I have loved ballet. I remember being three years old and making my dad put my hair in sponge rollers so that when I took them out I could dance like Shirley Temple. I especially loved the ballet part in The Little Princess. I had posters of ballerinas, scores from ballets, and then there were the movies.
These movies make me think of the ballet studio that is one of my comfort places in memories from my childhood. The smell of the sweaty satin on the toe shoes, the resin box in the corner, freshly washed pink tights, all the pretty girls standing at the barre, arms in arabesque, the record player hissing as the needle bumped and skipped over the grooves. It would be daylight when I went into the lobby with the other girls, their hair in soft buns, giggling softly waiting for the little ones to come out of the studio. We would talk about school, getting our driver's licenses, what we were dressing up for on Halloween. But our hearts were always on pause, and they remained that way until the studio door opened and it was our turn. Freedom, dreams, hopes, grace, and beauty. We would emerge from the bright flourescent lights of the studio to the darkness of the world outside that had kept turning, unnoticed, while we danced.
I will always have a soft spot for ballet in movies and below (as well as cross-posted on my all-but-defunct movie blog) are my top 5, in honor of Black Swan, which I am very anxious to see.
1. The Turning Point (1977)- Directed by Herbert Ross, this movie stars Shirley MacLaine as a former ballerina who gave up dancing to marry and have a family. When her daughter, played by ballerina Leslie Browne, decides to persue a ballet career, her mother must face the life she left behind and the jealousy she feels when her daughter is taken into the studio of a former friend who gave up the option of a family to stay in ballet. The part of the daughter was auditioned for by Gelsey Kirkland, who was in the same company with Leslie at the time, and in a short-term relationship with Mikhail Baryishnikov, who portrays the Russian defecting danseur who woos Leslie Browne's character (and also did in real life, according to Gelsey Kirkland's autobiography). The music is beautiful, Shirley MacLaine who was a dancer in her own right was magnificent, and the ballet (the focal point of the movie) is entrancing.
I saw this when I was a young teen and dreamed of being a ballerina myself. Several of the dancers from my studio got together and drooled over it on many occassions. This will remain in my heart as my number one ballet movie because of the mirror of real events in Baryshnikov's life at the time, and the whirlwind of Anne Bancroft and Shirley MacLaine together.
2. Red Shoes (1948)-Directed by Michael Powell and Emeric Pressberger, The Red Shoes is loosely based on the Hans Christian Anderson fairy tale of the same name. In the movie, which uses beautiful sets and camera effects to stunning results, Moira Shearer plays a ballerina who gets her break when the studio owner is forced to put her in the limelight as replacement dancer. He creates the ballet The Red Shoes just for her and begins to force her to choose between ballet and her lover, who is trying to force her to make the same decision. A true tragic romance.
The classical ballet in this movie is lovely. There are some very ethereal effects for the time. Costumes are breathtaking. I feel that some of the issues that plague the dancers in this movie are less timely than the ones in The Turning Point, which is one reason that this movie is 2nd on the list.
3. Suspiria (1977)- Directed by Dario Argento, Suspiria is a true ballet horror. Dario Argento. Joan Bennett, Udo Kier, blood, knives, nooses, witches and ballet. What more do you need? I was about six or seven years old when I saw this movie and even this could not keep me from longing to dance!
These last two are honorable mentions simply because number 6 is a short film that isn't entirely about ballet, and number 7 is...something indescribable and not recommended but included because they should be applauded for whatever it was they attempted to do there.
6. Box -Directed by Takashi Miike, this short film is one of 3 in the Three Extremes. The surreal story of twin ballerina/acrobats who are raised by their step-father, choreographer, boss, and lover (?), Box is one of the most beautiful films I've ever seen. With magnificent use of color, metaphore, horror, and suspense, the tale goes from something quite simple (sibling rivalry) to ghost story to WHAT THE HECK?? in the span of only 40 minutes.